Reality is almost always wrong

Question 1: To what degree does Kindle Worlds suggest that the fanfiction can only be legitimized through the eradication of fan culture’s gift economy? Question 2: Fanfiction has significantly changed our media culture. Kindle Worlds isn’t just capitalizing on it, but arguably represents an attempt to shape it. Is this a feedback loop in action or an attempt to stop the catalyst that is fan work? Questions 3: The contractual terms of Kindle Worlds are the sort traditional professional writers would be strongly advised against signing on to. Is fannish work worth less? Should it be? Question 4: Fanfiction has, arguably, always been about the option to use use all the tools, particularly those often discouraged by corporate content production (e.g., sexuality), to tell story. If the toolbox is limited, whether a given writer would choose to use all the tools or not, is it fanfiction or is it some other form of derivative (vs. transformative) work? Question 5: How will fan readers view/treat fan writers who use a tool like Kindle Worlds? And how does that impact our communities, hierarchies, and barriers to entry?

Reality is almost always wrong

May 23

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May 21